Mariko Mori:

Borggreen, Gunhild. “Gender in Contemporary Japanese Art.” In Gender and Power in the Japanese Visual Field, editedJoshua S. Mostow, Norman Bryson, and Maribeth Graybill, 179-200. University of Hawai’i Press, 2003.

Borggreen, Gunhild. “Cultural Clichés in Contemporary Art: The Reception of Mori Mariko’s Work.” Review of Japanese Culture and Society 15, (2003): 88-89.

Cheng-en, Wu. Journey to the West. Translated by Collinson Fair. Beijing: Foreign Languages Press, 2005.

Cohen, Michael. “Mariko Mori: Plastic dreams in the reality bubble.” Flash Art 30, no. 194 (1997): 94-97.

Consey, Kevin E. and Julia Peyton-Jones. “Directors’ Foreword.” In Mariko Mori, edited by Dominic Molon, viii-ix. Chicago: Museum of Contemporary Art, 1998.

Corrin, Lisa. “Mariko Mori’s Quantum Nirvana.” In Mariko Mori, edited by Dominic Molon, 19-25. Chicago: Museum of Contemporary Art, 1998.

Dallas Museum of Art. “Cultures & Traditions.” Last modified May 3, 2013. https://collections.dma.org/essay/XDwRJwG3.

Di Marzo, Cindi. “A Traveler in Time, from Standing Stones to the Distant Stars: An interview with Mariko Mori.” Studio International, 2013.       https://www.studiointernational.com/index.php/interview-with-mariko-mori

Dragon Ball Updates. “Journey to the West.” Accessed October 4, 2022. https://dragonballupdates.fandom.com/wiki/Journey_to_the_West#Notable_English-language_translations.

Eliel, Carol S. “Interpreting Tradition: Mariko Mori’s Nirvana.” In Mariko Mori, edited by Dominic Molon, 27-31. Chicago: Museum of Contemporary Art, 1998.

Eatough, Erin. “The 8 life stages and what we can learn from each one.” BetterUp (2022). https://www.betterup.com/blog/stages-of-life.

Fouser, Robert. “Mariko Mori: Avatar of a Feminine God.” Art/Text, no. 60 (1998): 34-36.

Garzon, Martha. “Contemporary Art: Mariko Mori.” Accessed October 4, 2022. http://www.marthagarzon.com/contemporary_art/2011/08/mariko-mori-cybergeishas-technonolgy/.

Gustafson, Jessica Rachel. “Face to Face: Personification, Identity, and Self-Portraiture in the Early Work of Cindy Sherman and Nikki S. Lee.” PhD diss., American University, 2014.

Himalayan Art Resources. “Avalokiteshvara Interpretation and Description.” Last modified July 7, 2012.

https://www.himalayanart.org/items/88569.

Holland, Allison. “From Gothic Lolita to Radiant Shaman: The Development of Mariko Mori’s Ethereal Personae.” U.S.-Japan Women’s Journal, no. 40 (2011): 3-28.

Holland, Allison. “Mori Mariko and the Art of Global Connectedness.” Intersections: Gender and Sexuality in Asia and the Pacific, no. 23 (2009).

Japanese Buddhist Statuary. “Kichijōten, Kichijo Tennyo, Kudokuten Goddess of Beauty, Fertility, Prosperity, and Merit.” Accessed October 4, 2022. https://www.onmarkproductions.com/html/kichijouten.html.

Japanese Buddhist Statuary. “Objects, Symbols, and Weapons Held by 1000-Armed Kannon and Other Buddhist Deities.” Accessed October 4, 2022.

https://www.onmarkproductions.com/html/objects-symbols-weapons-senju.html.

“Journey to the West.” In Encyclopedia Britannica. Last modified September 12, 2022. https://www.britannica.com/topic/Journey-to-the-West.

Kacki, Sacha, Erik Trinkaus, Eline M. J. Schotsmans, Patrice Courtaud, Irene Dori, Bruno Dutailly, Pierre Guyomarc’h, Pascal Mora, Vitale S. Sparacello, and Sebastien Villotte. “Complex Mortuary Dynamics in the Upper Paleolithic of the Decorated Grotte de Cussac, France.” Proceedings of the National Academy of Sciences – PNAS 117, no. 26 (2020): 14851–14856.

Klein, Lawrence R. Symposium in Memory of Kei Mori: Studies in Economic Dynamics. University of Pennsylvania, 1995.

Lee, SoonJin. “The Art of Artists’ Personae: Yayoi Kusama, Yoko Ono, and Mariko Mori.” PhD diss., University of Chicago, 2014.

Lemons, Stephen. “As She Wishes: Japanese artist Mariko Mori is seeking her form of enlightenment in her work.” Los Angeles Times (1998).

Li, Yuhang. Becoming Guanyin: Artistic Devotion of Buddhist Women in Late Imperial China. New York Chichester, West Sussex: Columbia University Press, 2020.

Ling, Yu-Long. “Review.” Review of Journey to the West, by Wu Cheng-en. American Journal of Chinese Studies 20, no. 1, 2013.

Mackie, Vera. Feminism in Modern Japan. Cambridge University Press, 2003.

Miller, Michael H. “It Came from Outer Space! Mariko Mori Comes Back Down to Earth.” The Observer. Last modified November 15, 2011. https://observer.com/2011/11/it-came-from-outer-space-mariko-mori-comes-back-down-to-earth/.

Molon, Dominic. Mariko Mori. Chicago, Illinois: Museum of Contemporary Art, 1998.

Moon, Jungwhe. “American Perception of Japanese Culture in Takashi Murakami and Mariko Mori’s Art: A Study of Aesthetics of Murakami and Mori’s Artworks.” Master of Arts, Georgetown University, 2003.

Mori, Mariko, Kathryn Hixson, “Future perfect: an interview with Mariko Mori.” Interview by Kathryn Huxton. New Art Examiner (December 1998/January 1999): 44-45.

Mori, Mariko. “Mariko Mori.” Interview by Kunie Sugiura. Journal of Contemporary Art, June 5, 2001.

http://www.jca-online.com/mori.html.

Mori, Mariko. We’ve Got Twenty-Five Years.” Interview by Dike Blair. Purple Prose 9, (September 1995): 96-101.

Philadelphia Museum of Art. “Kisshoten (Kichijoten).” Accessed October 4, 2022. https://www.philamuseum.org/collection/object/305645.

Porcu, Elisabetta. Pure Land Buddhism in Modern Japanese Culture. Leiden, Brill, 2008.

Raubenheimer, Landi. “Flatness and immersion in Mariko Mori’s Pureland: the possibility of a digital sublime.” South African Journal of Art History 22, no. 3 (2007): 150-167.

Rhee, Jieun. “From Goddess to Cyborg: Mariko Mori and Lee Bul.” N. Paradoxa, no. 14 (2004): 5-12.

Robert, Henri. “Mariko Mori and the ‘Tea Ceremony’, an Illustration of Gender Inequality in Japan.” Pen Online. Last modified July 10, 2020.

https://pen-online.com/arts/mariko-mori-and-the-tea-ceremony-an-illustration-of-gender-inequality-in-japan/?scrolled=0.

“Siddha medicine.” In Encyclopedia Britannica. Last modified July 12, 2017. https://www.britannica.com/science/Siddha-medicine.

Sreenivasaraos. “Music of India: Gandharva or Marga Music.” Last modified April 24, 2015. https://sreenivasaraos.com/tag/gandharva/.

Tezuka, Miwako. Rebirth: Recent Work by Mariko. New York: Japan Society, 2013.

Tricycle: The Buddhist Review. “Mudra: What Do Buddhist Hand Gestures Mean?” Tricycle Magazine, Fall 1996. https://tricycle.org/magazine/mudra/.

University of Arizona. “About Biosphere 2.” The University of Arizona. Accessed August 31, 2022. https://biosphere2.org/about/about-biosphere-2.

Wallis, Jonathan. “The Paradox of Mariko Mori’s Women in Post-Bubble Japan: Office Ladies, Schoolgirls, and Video-Vixens.” Woman’s Art Journal 29, no. 1 (2008): 3-12.

Yanagiwara, Megumi. “Feminism in Post-War Japan: An Overview Focusing on the Uman Ribu (Women’s Lib) Movement in the late 1960s and 1970s.” Center for Asian Studies at CEAUC 1, no. 19 (2018): 1-19.

Yogapedia. “Prithvi Mudra.” Last modified April 23, 2020. https://www.yogapedia.com/definition/6853/prithvi-mudra.

Kimsooja:

Bae, Michelle, and Greg Dimitriadis. “Travelling Home(s): Contemporary Korean Art After the Postcolonial.” Studies in the Cultural Politics of Education 36, no. 3 (2015): 314-328.

Bice, Curiger and Christoph Heinrich. Hypermental: Rampant Reality, 1950-2000: from Salvador Dali to Jeff Koons.Ostfildern-Ruit: Hatje Cantz Verlag, 2000.

British Broadcasting Corporation. “Religions: Meditation.” Last modified November 24, 2009. https://www.bbc.co.uk/religion/religions/buddhism/customs/meditation_1.shtml.

Becker, Carol. “Walking, Standing, Sitting Like a Duck: Three Instances of invasive, reparative behaviour.” Journal of the Performing Arts 13, no. 3 (2008): 139-145.

Bourriaud, Nicolas. “Interview between Nicolas Bourriaud and Kim Sooja.” In Kim Sooja: Conditions of Humanity, edited by Annie van Assche, 45-60. Lyon: Musée d’Art Contemporain, 2003.

Budding Buddhist. “Simplicity in Buddhism.” Last modified January 30, 2023. https://buddingbuddhist.com/simplicity-buddhism/.

Choi, Youngsook. “Subversive Portraits of National Heroism in Contemporary Korean Photography.” Trans Asia Photography 2, no. 1 (2011).

Gregory, Crystal. “Shapes of Movement, in Weaving and in Architecture.” Textile (2021): 1-10.

Jacob, Mary Jane, and Jacquelynn Bass. Buddha Mind in Contemporary Art. University of California Press, 2004.

Kho, Esther. “Korean Border-Crossing Artists in the New York Artworld: An Examination of The Artistic, Personal and Social Identities of Do-Ho Suh, Kimsooja, and Ik-Joong Kang.” Ph.D. diss., The Florida State University, 2006.

Kimsooja. “Kimsooja.com: Works: Performance/Video.” http://www.kimsooja.com/works_performance_video.html.

Lee, Joo-eun. “Sooja Kim’s Wrapping Cloth: The Aesthetics of Paradox.” Women’s Art Journal 36, no. 1 (2015): 19-26.

Malsch, Friedemann., and Christiane. Meyer-Stoll. Migration: Joseph Beuys, Alighiero Boetti, George Brecht, Pier Paolo Calzolari, Constant, Robert Filliou, Olafur Gislason, Felix Gonzalez-Torres, Mona Hatoum, Nicolas Humbert, Werner Penzel, Mario Merz, Marcel Odenbach, Kim Sooja. Verlag der Buchhandlung Walther König, 2003.

Matilsky, Barbara, and Kimsooja. “Kimsooja,” Interview by Barbara Matilsky. August 2003. http://www.kimsooja.com/texts/matilsky.html.

Nakamura, Keiki. “Kim Sooja’s a Needle Woman.” ICC, Tokyo (2000).

National Geographic Society. “Confucianism.” Accessed November 28, 2022. https://education.nationalgeographic.org/resource/confucianism/.

Paik, Young-Joo. “Women’s Development and Information on Women in Korea.” Seoul: Korean Women’s Development Institute, 1998.

Parkett, “Expanded Exchange.” Zürich: Parkett Verlag, no. 100-101 (2017).

Porcu, Elisabetta. Pure Land Buddhism in Modern Japanese Culture. Leiden, Brill, 2008.

Shalson, Lara. Performing Endurance: Art and Politics since 1960. Cambridge University Press, 2018.

Wei, Lilly. “Kim Sooja.” Art Magazine Collection Archive 103, no. 4 (2004): 120-122.

Zugazagoitia, Julian. “Incantation to presence.” In Kimsooja: Conditions of Humanity, edited by Annie van Assche, 15-45. Lyon: Musée d’Art Contemporain, 2003.