[{"id":624,"date":"2023-04-12T14:50:56","date_gmt":"2023-04-12T14:50:56","guid":{"rendered":"https:\/\/edspace.american.edu\/impressionism\/?page_id=624"},"modified":"2023-05-08T01:28:24","modified_gmt":"2023-05-08T01:28:24","slug":"fair-use","status":"publish","type":"page","link":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/fair-use\/","title":{"rendered":"Fair Use"},"content":{"rendered":"

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Fair Use Statement<\/h1>\n

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[\/et_pb_text][et_pb_button button_url=”https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/” button_text=”Home” button_alignment=”right” _builder_version=”3.26.3″ custom_button=”on” button_text_size=”18px” button_text_color=”#e3e3d6″ button_bg_color=”#651906″ button_border_width=”0px” button_border_radius=”0px” button_font=”Georgia||||||||” button_icon=”%%3%%” button_icon_color=”#e3e3d6″ button_on_hover=”off” custom_margin=”-7px||-1px|||” custom_padding=”1px||0px|||” saved_tabs=”all”][\/et_pb_button][et_pb_button button_url=”https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/bibliography\/” button_text=”Bibliography” button_alignment=”right” _builder_version=”3.26.3″ custom_button=”on” button_text_size=”16px” button_text_color=”#651906″ button_bg_color=”#e3e3d6″ button_border_width=”0px” button_border_radius=”0px” button_font=”Georgia||||||||” button_icon=”%%2%%” button_icon_color=”#651906″ button_icon_placement=”left” button_on_hover=”off” custom_margin=”1px|||||” custom_padding=”1px||0px|||” saved_tabs=”all”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.26.3″ custom_margin=”||-77px|||” custom_padding=”0px|||||”][et_pb_row custom_padding=”0px|||||” custom_margin=”-18px|auto||auto||” _builder_version=”3.26.3″][et_pb_column type=”4_4″ _builder_version=”3.26.3″][et_pb_divider color=”#5a0c1c” divider_weight=”2px” _builder_version=”3.26.3″ custom_margin=”0px|||||”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”3.26.3″ top_divider_color=”#b5493a” top_divider_height=”17px” bottom_divider_style=”arrow3″ bottom_divider_color=”#752124″ bottom_divider_height=”15px” saved_tabs=”all”][et_pb_fullwidth_menu fullwidth_menu=”off” active_link_color=”#b5493a” dropdown_menu_line_color=”#E02B20″ _builder_version=”3.26.3″ menu_font=”Georgia|||||on|||” menu_font_size=”16px” menu_letter_spacing=”1px” text_orientation=”center” active_link_color__hover_enabled=”on” active_link_color__hover=”#b5493a” dropdown_menu_text_color__hover_enabled=”on” dropdown_menu_text_color__hover=”#b5493a” menu_text_color__hover_enabled=”on” menu_text_color__hover=”#b5493a” menu_font_size__hover_enabled=”on” menu_font_size__hover=”17px”][\/et_pb_fullwidth_menu][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.26.3″ custom_padding=”||32px|||”][et_pb_row _builder_version=”3.26.3″][et_pb_column type=”4_4″ _builder_version=”3.26.3″][et_pb_text _builder_version=”3.26.3″ header_font=”Cormorant SC||||||||” header_text_color=”#8c2500″ header_font_size=”55px”]<\/p>\n

Image Gallery<\/h1>\n

[\/et_pb_text][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_text_color=”#242424″ text_font_size=”15px”]<\/p>\n

T<\/span>his image gallery provides viewers with an additional way to comprehensivley look at the 45 paintings plotted on the map. In addition, the portraits of the nine Impressionists most frequently discussed throughout this capstone are included as well.\u00a0<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/0rg2l0gdw98qgtd\/Final%20Pissarro%20Image%20%281870%29.jpg?raw=1″ title_text=”\ud835\udc02\ud835\udc1a\ud835\udc26\ud835\udc22\ud835\udc25\ud835\udc25\ud835\udc1e \ud835\udc0f\ud835\udc22\ud835\udc2c\ud835\udc2c\ud835\udc1a\ud835\udc2b\ud835\udc2b\ud835\udc28, \ud835\udc3f\ud835\udc5c\ud835\udc62\ud835\udc63\ud835\udc52\ud835\udc50\ud835\udc56\ud835\udc52\ud835\udc5b\ud835\udc5b\ud835\udc52\ud835\udc60, \ud835\udfcf\ud835\udfd6\ud835\udfd5\ud835\udfce.” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_text_align=”center” text_font_size=”12px” text_orientation=”center” custom_padding=”|0px||0px||”]<\/p>\n

Camille Pissarro,\u00a0 \u00a0<\/span>Louveciennes,\u00a0<\/em>1870.\u00a0Oil on canvas, 45.8 x 55.7 cm. Southampton Art Gallery.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/w3r01gk1tdpzkyg\/Final%20Pissarro%20Image%20%281871%29%2A.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Camille Pissarro,\u00a0<\/span>Louveciennes with Mont Val\u00e9rien,\u00a0<\/em>1871.\u00a0Oil on canvas,\u00a045 x 53 cm. Nationalgalerie, Berlin.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/c3j9l5694z4orfe\/Low%20Q%20Monet%20.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet, The Pont Neuf<\/em>, 1871. Oil on canvas, 51.6\u00a0 \u00d7 72.4 cm. Dallas Museum of Art, Dallas, Texas.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/wvtblrduesvug9n\/Low%20Q%20Pont%20Neuf.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Pierre Auguste Renoir, Pont Neuf<\/em>, 1872. Oil on canvas, 75.3 x 93.7 cm. Courtesy National Gallery of Art, Washington D.C.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/jcbagpy2x6qzfc8\/Low%20Q.%20Garnier%201.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Gustave Caillebotte, Rue <\/i>Hal\u00e9vy<\/i>, Seen from the Sixth Floor, <\/i>1878. Oil on canvas, 59.5 x 73 cm. Private Collection, New York.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/2x8fpd7lft99x6z\/Low%20Q.%20Garnier%202.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Gustave Caillebotte, Rue Hal\u00e9vy<\/em>, Balcony View 1878. Oil on canvas, 60 x 73 cm. Private collection<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/wgbcy4gl1fialn5\/Low%20Q%20Bridge%20under%20repair.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet, Argenteuil, Bridge Under Repair,\u00a0<\/em>1872.\u00a0Oil on canvas, 60 x 80.5 cm. Fitzwilliam Museum,\u00a0Cambridge, England.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/dmj97ef7lzbpw2w\/Low%20Q%20Highway%20bridge%20repair.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet, The Highway<\/em>\u00a0Bridge Under Repair, <\/i>1872.\u00a0Oil on canvas, 54 x 73 cm.\u00a0Foundation Rau pour le Tiers-Monde, Zurich, Switzerland.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/l4few3iitewwlrd\/Low%20Q%20Bridge%20at%20Argent.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet, Le Pont d’Argenteuil<\/em>, 1874. Oil on canvas, 60 x 79.7 cm. Courtesy National Gallery of Art, Washington, D.C.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/6rie6a248530rjo\/Low%20Q%20bridge%20monet.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet, Bridge at Argenteuil on a Gray Day<\/em>, c. 1876. Oil on canvas, 61 x 80.3 cm. Courtesy National Gallery of Art, Washington, D.C.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/en7kjfgmc39rlrh\/Low%20Q%20Railroad%20bridge.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet, Railroad Bridge, Argenteuil<\/em>, 1873. Oil on canvas, 54.3 \u00d7 73.3 cm. Philadelphia Museum of Art.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/uzeuqq4bdciusov\/Low%20Q%20il%20pont%20Monet.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet, Le Pont d’Argenteuil<\/em>, 1874. Oil on canvas, 60.3 x\u00a0 80,0 cm.. Mus\u00e9e d’Orsay, Paris, France.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/cpvwuypld6jrh1e\/Low%20Q%20Sisley%20Footbirdge.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Alfred Sisley, The Footbridge at Argenteuil,\u00a0<\/em>1872.\u00a0Oil on canvas, 38 x 60 cm. Mus\u00e9e d’Orsay, Paris, France.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/6ysn1kqbfxq19lk\/Low%20Q%20Sisley%20Boulevard.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Alfred Sisley,\u00a0Boulevard <\/i>H\u00e9lo\u00efse<\/i>, Argenteuil<\/i>, 1872. Oil on canvas, 39.5 x 59.6 cm. Courtesy National Gallery of Art, Washington, D.C.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/9dymytd77h6c4pd\/Sisley%2C%20Le%20Pont%20d%E2%80%99%20Argenteuil%2C%20%281872%29%20%20FINAL%2A.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Alfred Sisley,\u00a0Le Pont d\u2019 Argenteuil<\/i>, <\/i>1872. Oil on canvas, 38.7 x 61 cm. Memphis Brooks Museum of Art, Memphis, Tennessee.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/99ejs101m905omi\/Low%20Q%20Caillebotte%20Argenteuil.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Gustave Caillebotte,\u00a0\ud835\udc47\u210e\ud835\udc52 \ud835\udc46\ud835\udc52\ud835\udc56\ud835\udc5b\ud835\udc52 \ud835\udc4e\ud835\udc5b\ud835\udc51 \ud835\udc61\u210e\ud835\udc52 \ud835\udc45\ud835\udc4e\ud835\udc56\ud835\udc59\ud835\udc5f\ud835\udc5c\ud835\udc4e\ud835\udc51 \ud835\udc35\ud835\udc5f\ud835\udc56\ud835\udc51\ud835\udc54\ud835\udc52 \ud835\udc4e\ud835\udc61 \ud835\udc34\ud835\udc5f\ud835\udc54\ud835\udc52\ud835\udc5b\ud835\udc61\ud835\udc52\ud835\udc62\ud835\udc56\ud835\udc59,\u00a01885.<\/span> Oil on canvas,\u00a0<\/span>115.6 \u00d7 154.9 cm<\/span>. Brooklyn Museum, Brooklyn, New York.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/q1qprxuryxms9sv\/Low%20Q%20Tuileries.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet, The Tuileries<\/em>, 1876.\u00a0Oil on canvas, 54 x 73 cm.\u00a0<\/span>Mus\u00e9e<\/span>\u00a0Marmottan, Paris, France.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/robs806phwyqshw\/Low%20Q%20Tuileries2.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet, The Tuileries, Sketch<\/em>, 1876. Oil on canvas, 50\u00d774 cm. Mus\u00e9e d’Orsay, Paris, France.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/4ebv1eo5chfrv82\/Low%20Q.%20Caillebotte%20Pont.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Gustave Caillebotte, Le Pont de l’Europe<\/em>, 1876. Oil on canvas, 125 x 181cm.\u00a0Mus\u00e9e du Petit Palais, Geneva, Switzerland.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/4i9twdn4nzei1c7\/Low%20Q.%20Monet%20Gare%20St.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet, Le Pont de l\u2019Europe (Gare Saint-Lazare)<\/em>, 1877. Oil on canvas,\u00a0\u00a081 x 64 cm.\u00a0Mus\u00e9e Marmottan, Paris, France.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/vd0m3uww9mgb0mb\/Low%20Q.%20Arrival%20Normandy.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet,\u00a0\ud835\udc34\ud835\udc5f\ud835\udc5f\ud835\udc56\ud835\udc63\ud835\udc4e\ud835\udc59 \ud835\udc5c\ud835\udc53 \ud835\udc61\u210e\ud835\udc52 \ud835\udc41\ud835\udc5c\ud835\udc5f\ud835\udc5a\ud835\udc4e\ud835\udc5b\ud835\udc51\ud835\udc66 \ud835\udc47\ud835\udc5f\ud835\udc4e\ud835\udc56\ud835\udc5b, \ud835\udc3a\ud835\udc4e\ud835\udc5f\ud835\udc52 \ud835\udc46\ud835\udc4e\ud835\udc56\ud835\udc5b\ud835\udc61-\ud835\udc3f\ud835\udc4e\ud835\udc67\ud835\udc4e\ud835\udc5f\ud835\udc52,<\/span>\u00a01877.\u00a0Oil on canvas, 60.3 \u00d7 80.2 cm. Art Institute of Chicago, Chicago, Illinois.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/yt4vnlsc3m3pz7i\/Low%20Q.%20Monet%20Gare%201877.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet, The Gare Saint-Lazare (or Interior View of the Gare Saint-Lazare, the Auteuil Line)<\/em>, 1877. Oil on canvas, 75 x 104 cm. Mus\u00e9e d’Orsay, Paris, France.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/nw5wm15shqpkmdq\/Low%20Q.%20Arrival%20of%20Train.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet,\ud835\udc47\u210e\ud835\udc52 \ud835\udc3a\ud835\udc4e\ud835\udc5f\ud835\udc52 \ud835\udc46\ud835\udc4e\ud835\udc56\ud835\udc5b\ud835\udc61-\ud835\udc3f\ud835\udc4e\ud835\udc67\ud835\udc4e\ud835\udc5f\ud835\udc52: \ud835\udc34\ud835\udc5f\ud835\udc5f\ud835\udc56\ud835\udc63\ud835\udc4e\ud835\udc59 \ud835\udc5c\ud835\udc53 \ud835\udc4e \ud835\udc47\ud835\udc5f\ud835\udc4e\ud835\udc56\ud835\udc5b, 1877.\u00a0<\/span>Oil on canvas, 83 x 101.3 cm. Harvard Art Museum, Cambridge, Massachusetts.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/mz6ap4la2c38qzg\/Low%20Q.%20place%20de%20la%20concorde.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″ min_height=”144.8px” custom_margin=”||25px|||” custom_padding=”0px||0px|||”][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Edgar Degas,\u00a0Place de la Concorde, <\/i>1879. Oil on canvas, 78.4 \u00d7\u00a0117.5\u00a0cm. Hermitage Museum, Saint Petersburg, Russia.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/m5iewyn7s2cwvo7\/39.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Gustave Caillebotte,\u00a0Le Parc\u00a0<\/i>Monceau,\u00a0<\/i>1878.\u00a0Oil on canvas, 50 x 65 cm.\u00a0<\/span>Private collection.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/3jb8mf0u38vy41p\/40.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Gustave Caillebotte, Le Parc <\/i>Monceau,\u00a0<\/i>1878.\u00a0Oil on canvas, 50 x 65 cm.\u00a0<\/span>Dudley Tooth, London.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/hz90kwdtyi86rot\/41.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet,\u00a0Landscape: The Parc <\/i>Monceau<\/i>,<\/i> 1876.\u00a0Oil on canvas,\u00a0 59.7 x 82.6 cm. The Metropolitan Museum of Art, New York.\u00a0<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/shxjrxfry5t51y1\/19.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet,\u00a0Carri\u00e8res-Saint-Denis,<\/em> 1872.\u00a0Oil on canvas, 61 x 81 cm. Mus\u00e9e d’Orsay,\u00a0Paris, France.\u00a0<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/8p7sshcpl47p68e\/21.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Alfred Sisley, The Bridge at Saint Cloud<\/em>, 1877.\u00a0Oil on canvas, 50.8 x 61.5 cm. Private Collection.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/9vbjq5i93v1pps3\/22.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet, Boulevard Saint-Denis in Winter<\/em>, 1875.\u00a0Oil on canvas,\u00a081.6 x 60.9 cm.\u00a0<\/span>Museum of Fine Arts (MFA), Boston, Massachusetts.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/o47mwgtld3c2otf\/23.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Alfred Sisley, The Island of Saint Denis<\/em>, 1872. Oil on canvas,\u00a051 x 65 cm. Mus\u00e9e d’Orsay, Paris, France.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/s0n7qoz3fub090k\/24.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Camille Pissarro,\u00a0\ud835\udc3f\ud835\udc4e \ud835\udc3a\ud835\udc5f\ud835\udc52\ud835\udc5b\ud835\udc5c\ud835\udc62\ud835\udc56\ud835\udc59\ud835\udc59\ud835\udc52\u0300\ud835\udc5f\ud835\udc52 \ud835\udc4e\ud835\udc61 \ud835\udc35\ud835\udc5c\ud835\udc62\ud835\udc54\ud835\udc56\ud835\udc63\ud835\udc4e\ud835\udc59<\/span>,\u00a01869. Oil on canvas, 35 x 46 cm. From the Collection of the Earl of Jersey.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/h5p6441mteswt9u\/25.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Camille Pissarro,\u00a0\ud835\udc4a\ud835\udc4e\ud835\udc60\u210e \ud835\udc3b\ud835\udc5c\ud835\udc62\ud835\udc60\ud835\udc52 \ud835\udc4e\ud835\udc61 \ud835\udc35\ud835\udc5c\ud835\udc62\ud835\udc54\ud835\udc56\ud835\udc63\ud835\udc4e\ud835\udc59,<\/span>\u00a01872.\u00a0Oil on canvas, 46.5 x 56 cm. Mus\u00e9e d’Orsay, Paris, France.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/rrw4d6fahodua0d\/11.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Alfred Sisley, The Machine at Marly<\/em>, 1873.\u00a0Oil on canvas,\u00a045 x 64.5 cm. Ny Carlsberg Glyptotek, Copenhagen, Denmark.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/0x34d01e0xrxp6i\/12.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Alfred Sisley, Flood at Port-Marly<\/em>, 1876.\u00a0Oil on canvas, 46.4 x 61 cm. Courtesy National Gallery of Art, Washington, D.C.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/vg99vz3xnefbhlo\/10.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Alfred Sisley, The Seine at Port-Marly, (Piles of Sand)<\/em>, 1875.\u00a0Oil on canvas, 54.5 \u00d7 73.7 cm. The Art Institute of Chicago, Chicago, Illinois.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/f2jmk4wzqf56f3r\/14.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Camille Pissarro, Au bord de la Seine \u00e0 Port Marly<\/em>, 1871.\u00a0Oil on canvas, 31.4 x 45 cm. The Nelson-Atkins Museum of Art, Kansas City, Missouri.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/nqk4m2cvemry5pb\/13.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Camille Pissarro, The Seine at Port Marly<\/em>, 1872.\u00a0Oil on canvas,\u00a035.2 x 46.4 cm.<\/span>\u00a0<\/span>Staatsgalerie Stuttgart, Stuttgart, Germany.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/ijyzcuys7c9h4xj\/9.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Alfred Sisley, The Aqueduct at Marly<\/em>, 1874.\u00a0Oil on canvas, 54.3 x 81.3 cm. Toledo Museum of Art, Toledo, Ohio.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/7xt9xvdl5q2x00y\/Copy%20of%20Untitled%20Design%20%2819%29.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

\u00c9douard Manet,\u00a0The Rue <\/i>Mosnier<\/i> with Flags\u00a0<\/i>, 1878.\u00a0Oil on canvas,\u00a065.4 \u00d7 80 cm. J. Paul Getty Museum, Los Angeles, California.\u00a0<\/span><\/p>\n

.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/wmhd7cfnqsbrtqw\/48.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Gustave Caillebotte, Yerres<\/i>, La Colonnade du <\/i>Casin<\/i>, 1870.\u00a0Oil on canvas,\u00a043 x 30 cm. Private Collection.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/diufq7weqyjsmhn\/47.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Gustave Caillebotte, Yerres, Soldiers in the Woods<\/em>, 1871.\u00a0Oil on canvas, 40 x 30 cm. Private Collection.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/d1zt48owg2v0u85\/42.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Claude Monet,\u00a0The Parc <\/i>Monceau,\u00a0<\/i>1878.\u00a0Oil on canvas,\u00a0<\/span>72.7 x 54.3 cm. The Metropolitan Museum of Art, New York.\u00a0<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/k6ptd7tu41r0ijt\/Low%20Q%20Malesherbes.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Gustave Caillebotte, Young Man at His Window<\/em>, 1876.\u00a0Oil on canvas, 116 x 81cm. J. Paul Getty Museum, Los Angeles, California.\u00a0<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/b1kppjg7pocikq6\/Copy%20of%20Untitled%20Design%20%2818%29.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

\u00c9douard Manet.\u00a0Effect of Snow on Petit-Montrouge,<\/span><\/em>\u00a01870.Oil on canvas,\u00a0<\/span>59.7 \u00d7\u00a049.7\u00a0cm. National Museum Cardiff, Cardiff, Wales.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”http:\/\/edspace.american.edu\/impressionism\/wp-content\/uploads\/sites\/2169\/2023\/03\/Hotel-de-ville-FINAL.png” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Stanislaus L\u00e9pine,\u00a0Le March\u00e9 aux pommes, port de <\/i>l’H\u00f4tel<\/i> de Ville<\/i>, 1889.\u00a0Oil on canvas, 35 x 27 cm. Mus\u00e9e d’Orsay, Paris, France.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/h7hmxwusm3zq52q\/49.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Auguste Renoir,\u00a0<\/span>Fr\u00e9d\u00e9ric Bazille at his Easel,\u00a0<\/span><\/em>1867. Oil on canvas, 105\u00a0cm \u00d7\u00a073.5\u00a0cm. Mus\u00e9e d\u2019Orsay, Paris, France.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/zq0mlay1f8s5azy\/monet.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″ height=”258px”][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Auguste Renoir,\u00a0<\/span>Claude Monet,\u00a0<\/span><\/em>1872. Oil on canvas, 65 x 50 cm. Courtesy of the National Gallery of Art, Washington, D.C.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”3.26.3″][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/qhgtox28kbqopnl\/75.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Gustave Caillebotte,\u00a0<\/span>Self-Portrait,\u00a0<\/em>1888. Oil on canvas. Private collection.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/d6u9hiebe2qrvns\/76.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Henri Fantin-Latour,\u00a0<\/span>\u00c9douard Manet<\/em>, 1867. Oil on canvas, 117.5 \u00d7 90 cm. Art Institute Chicago, Chicago, Illinois.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/brm3nov8t0zzpyw\/77.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Edgar Degas,\u00a0<\/span>Self-Portrait,\u00a0<\/span><\/em>1855. Oil on paper, laid down on canvas, 40.6 x 34.3 cm. The Metropolitan Museum of Art.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/8qbr4cqudwrkean\/79.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Auguste Renoir,\u00a0<\/span>Alfred Sisley,\u00a0<\/span><\/em>1888. Oil on canvas, 81 x 65 cm. Foundation E.G. B\u00fchrle Collection.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”3.26.3″][et_pb_column type=”1_3″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/vu5sucsz1qdtiz7\/renoir.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Auguste Renoir,\u00a0<\/span>Self-Porttrait,\u00a0<\/em>1875. Oil on canvas, 39.1 x 31.6 cm. Clark Institute of Art, Williamstown, Massachusetts.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/eyz1j9jeoy79u00\/80.png?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″ height=”373px” custom_margin=”|||13px|false|false” custom_padding=”||0px|||”][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Camille Pissarro,\u00a0<\/span>Self-Portrait,\u00a0<\/span><\/em>1873. 55 x 46 cm. Mus\u00e9e d\u2019Orsay, Paris, France.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”3.26.3″][et_pb_image src=”https:\/\/www.dropbox.com\/s\/s0hwad1h8h4eizv\/Paul_C%C3%A9zanne_-_Self_Portrait_in_a_Felt_Hat.jpg?raw=1″ show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=” #8c2500″ _builder_version=”3.26.3″][\/et_pb_image][et_pb_text _builder_version=”3.26.3″ text_font=”Georgia||||||||” text_font_size=”12px”]<\/p>\n

Paul C\u00e9zanne,\u00a0<\/span>Self-portrait in a Soft Hat<\/i>,\u00a0<\/span><\/em>1894. Oil on canvas, 60 x 49 cm. Artizon Museum, Tokyo, Japan.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.26.3″][et_pb_column type=”4_4″ _builder_version=”3.26.3″][et_pb_button button_url=”https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/bibliography\/” button_text=”Bibliography” button_alignment=”right” _builder_version=”3.26.3″ custom_button=”on” button_text_size=”18px” button_text_color=”#e3e3d6″ button_bg_color=”#651906″ button_border_width=”1px” button_border_radius=”0px” button_font=”Georgia||||||||” button_icon=”%%3%%” button_icon_color=”#e3e3d6″ button_on_hover=”off” custom_margin=”-22px||-1px|||” custom_padding=”1px||0px|||” saved_tabs=”all”][\/et_pb_button][et_pb_button button_url=”https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/conclusion\/” button_text=”Conclusion” button_alignment=”right” _builder_version=”3.26.3″ custom_button=”on” button_text_size=”16px” button_text_color=”#651906″ button_bg_color=”#e3e3d6″ button_border_width=”0px” button_border_radius=”0px” button_font=”Georgia||||||||” button_icon=”%%2%%” button_icon_color=”#651906″ button_icon_placement=”left” button_on_hover=”off” custom_margin=”1px|||||” custom_padding=”1px||0px|||” saved_tabs=”all”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.26.3″ custom_margin=”-37px||-77px|||” custom_padding=”0px|||||”][et_pb_row custom_padding=”0px|||||” _builder_version=”3.26.3″][et_pb_column type=”4_4″ _builder_version=”3.26.3″][et_pb_divider color=”#5a0c1c” divider_weight=”2px” _builder_version=”3.26.3″ custom_margin=”9px|||||”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”3.26.3″ top_divider_color=”#b5493a” top_divider_height=”17px” bottom_divider_style=”arrow3″ bottom_divider_color=”#752124″ bottom_divider_height=”15px” saved_tabs=”all”][et_pb_fullwidth_menu fullwidth_menu=”off” active_link_color=”#b5493a” dropdown_menu_line_color=”#E02B20″ _builder_version=”3.26.3″ menu_font=”Georgia|||||on|||” menu_font_size=”17px” menu_letter_spacing=”1px” text_orientation=”center” active_link_color__hover_enabled=”on” active_link_color__hover=”#b5493a” dropdown_menu_text_color__hover_enabled=”on” dropdown_menu_text_color__hover=”#b5493a” menu_text_color__hover_enabled=”on” menu_text_color__hover=”#b5493a”][\/et_pb_fullwidth_menu][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.26.3″ custom_padding=”||17px|||”][et_pb_row _builder_version=”3.26.3″][et_pb_column type=”4_4″ _builder_version=”3.26.3″][et_pb_text _builder_version=”3.26.3″ header_font=”Cormorant SC||||||||” header_text_color=”#8c2500″ header_font_size=”55px” custom_padding=”|102px||||”]<\/p>\n

bibliography<\/h1>\n

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\u00a0Beik, Paul H. \u201cThe Terrible Year,\u201d in The Goncourt Journals, 1851-1870, <\/em>19.<\/p>\n

\u00a0Blanchecotte, Augustine-Malvina. Tablettes d\u2019une femme pendant la Commune. <\/em>Paris: Didier et Cie., 1872.<\/p>\n

\u00a0Brodska\u00efa, Nathalia.Sisley. <\/em>New York: Parkstone International, 2013.<\/p>\n

\u00a0Boime, Albert. Art and the French Commune: Imagining Paris after War and Revolution. <\/em>Princeton: Princeton University Press, 1995.<\/p>\n

\u00a0Boime, Albert. Art in an Age of Civil Struggle<\/em>, 1848-1871. <\/em>Chicago: University of Chicago Press, 2008.<\/p>\n

\u00a0Clark, T.J. The Painting of Modern Life: Paris in the Art of Manet and His Followers<\/em>. Princeton: Princeton University Press, 1999.<\/p>\n

\u00a0Clayson, Hollis. Paris in Despair: Art and Everyday Life under Siege<\/em> (1870-71).<\/em> Chicago: The University of Chicago Press, 2002.<\/p>\n

\u00a0Crane, Diana. Fashion and Its Social Agendas: Class, Gender, and Identity in Clothing<\/em>. Chicago: University of Chicago Press, 2000.<\/p>\n

\u00a0Daulte, Fran\u00e7ois. Alfred Sisley. <\/em>Milan, 1988.<\/p>\n

\u00a0Dombrowski, Andr\u00e9. \u201cHistory, Memory, and Instantaneity in Edgar Degas\u2019s Place de la Concorde.\u201d The Art Bulletin<\/em>, 93, no. 2 (June 2011): 195-219.<\/p>\n

\u00a0Dubois, <\/em>Jean . \u00c0 travers les oeuvres des \u00e9crivains, les revues et les journax. Vocabulaire politique et social en France de 1869 \u00e0 1872. <\/em>Paris: Larousse, 1962.<\/p>\n

\u00a0Edwards, Stewart. The Paris Commune 1871. <\/em>London: Eyre and Spottiswoode, 1971.<\/p>\n

\u00a0Eichner, Carolyn J. The Paris Commune: A Brief History. <\/em>New Brunswick: Rutgers University Press, 2022.<\/p>\n

\u00a0Eisenman, Stephen F.\u201cThe Intransigent Artist or How the Impressionists Got their Name.\u201d\u00a0In Critical Readings in Impressionism and Post-Impressionism, <\/em>ed. Mary Tompkins Lewis, 149-161. Los Angeles: University of California Press, 2007.<\/p>\n

\u00a0Gardner, James. \u201cOf an Artist Dying.\u201d The Magazine antiques (1971) <\/em>184, no. 3 (2017):96-101.<\/p>\n

\u00a0Gautier, Th\u00e9ophile. Tableaux de si\u00e8ge: Paris, 1870\u20131871<\/em>. Paris: Charpentier, 1871.<\/p>\n

\u00a0Grimaldo Grigsby, Darcy. Extremities: Painting Empire in Post-Revolutionary France. <\/em>New Haven: Yale University Press, 2002.<\/p>\n

\u00a0Grosz, Elizabeth. \u201cBodies-Cities\u201d In Sexuality and Space, <\/em>ed. Beatriz Colomina. New York: Princeton Architectural Press, 1992.<\/p>\n

\u00a0Goncourt, Edmond de. Paris Under Siege, 1870-1871: From the Goncourt Journal<\/em>. Edited and translated by George J.Becker. New York: Cornell University Press, 1969.<\/p>\n

\u00a0Harrison, Frederic. \u201cThe Revolution and the Commune.\u201d Fortnightly Review <\/em>53, no. 4 (May 1871): 559-573.<\/p>\n

\u00a0Hennebert, Eug\u00e8ne. Guerre des communeux de Paris: 18 mars\u201328 mai 1871\/par un officier sup\u00e9rieur de l\u2019arm\u00e9e de Versailles. <\/em>Paris: Fermin Didot Fr\u00e8res, 1871.<\/p>\n

\u00a0Herberg, J. Bailly.Correspondance de Camille Pissarro, <\/em>5 vols. Paris, 1980-1991.\u00a0<\/p>\n

\u00a0Herbert, Robert. Impressionism: Art, Leisure, and Parisian Society<\/em>. New Haven: Yale University Press, 19888.<\/p>\n

\u00a0House, Jonathan M. Controlling Paris: Armed Forces and Counter-Revolution, 1789-1848<\/em>. New York: New York University Press, 2014.<\/p>\n

\u00a0Horne, Alistair. The Fall of Paris: The Siege and the Commune of 1870-71. <\/em>New York: St. Martin\u2019s Press, 1965.<\/p>\n

\u00a0Horne, John and Alan Kramer. German Atrocities, 1914. <\/em>New Haven, 2001.<\/p>\n

\u00a0House, John. Impressionism: Paint and Politics. <\/em>New Haven: Yale University Press, 2004.<\/p>\n

\u00a0Howard, Michael. The Franco-Prussian War. <\/em>New York: Methuen & Co., 1981.<\/p>\n

\u00a0<\/strong>Howard, Michael The Impressionists by themselves<\/em>, Conran Octopus, 1991.<\/p>\n

\u00a0<\/strong>King, Edward. Descriptive Portraiture of Europe in Storm and Calm, <\/em>Springfield, MA, 1890.<\/p>\n

\u00a0Leighton, John. Paris Under the Commune; or the Seventy-Three Days of the Second Siege. <\/em>London: Bradbury, Evans, & Co., 1871.<\/p>\n

\u00a0Lenin, Vladimir. The State and Revolution.\u00a0 <\/em>English ed. Penguin Classics: 1992.<\/p>\n

\u00a0Lissagaray, Prosper-Olivier. History of the Paris Commune of 1871, <\/em>New York: Park Publications, 1976.<\/p>\n

\u00a0Marx, Karl and Vladimir II\u2019ich Lenin. The Civil War in France: The Paris Commune. <\/em>New York: International Publishers, 1968.<\/p>\n

\u00a0Malon, Beno\u00eet. La troisi\u00e8me d\u00e9faite du prol\u00e9tariat fran\u00e7ais. <\/em>Neuch\u00e2tel: Guillaume Fils, 1871.<\/p>\n

\u00a0Manning, Mary. \u201cFr\u00e9d\u00e9ric Bazille and Masculinity between Paris and Montpellier, 1841-1870.\u201d Ph.D. Disseration, Rutgers University, 2015.<\/p>\n

\u00a0Marrinan, Michael. Gustave Caillebotte: Painting the Paris of Naturalism, 1872-1887. <\/em>LA:Getty Research Institute, 2017.<\/p>\n

\u00a0Merriman, John. Massacre: The Life and Death of the Paris Commune<\/em>. New York: Basic Books, 2014.<\/p>\n

\u00a0Michel, Louise. La Commune: Histoire et souvenirs<\/em>. 1898; Paris: La D\u00e9couverte, 1970.<\/p>\n

\u00a0Mordey, Daphne. \u201cDans le palais du son, on fait de la farine\u2019: Performing at the Op\u00e9ra during the 1870 Siege of Paris.\u201d Music & Letters<\/em> 93, no. 1 (2012): 1-28.<\/p>\n

\u00a0Nord, Philip. Impressionists and Politics: Art and Democracy in the Nineteenth Century. <\/em>New York: Rutledge, 2000.\u00a0\u00a0<\/p>\n

\u00a0Rewald, John. The History of Impressionism. <\/em>New York: Museum of Modern Art, 1973.<\/p>\n

\u00a0Robinson, Fred Miller. The Man in the Bowler Hat: His History and Iconography. <\/em>Chapel Hill: University of North Carolina Press, 1993.<\/p>\n

\u00a0Sagraves, Julia. \u201cThe Street.\u201d In Gustave Caillebotte: Urban Impressionist, <\/em>edited by Anne Distel, 88-139 New York: Abbeville Press Publishers, 1995.<\/p>\n

\u00a0Schenker, Heath Massey. \u201cParks and Politics During the Second Empire in Paris.\u201d Landscape Journal<\/em> 14, no. 2 (1995): 201\u2013219.<\/p>\n

\u00a0Shikes, Ralph E. and Paula Harper, Pissarro, His Life and Work. <\/em>New York: Horizon Press, 1980.<\/p>\n

\u00a0Shone, Richard. Sisley, <\/em>New York, 1992.<\/p>\n

\u00a0Simon, Robert. \u201cDavid\u2019s Martyr-Portrait of Le Peletier\u00a0de Saint-Fargeau\u00a0and the Conundrums of Revolutionary Representation,\u201d Art History <\/em>14, no. 4 (1991): 459-487.<\/p>\n

Starr, Peter. Commemorating Trauma: The Paris Commune and Its Cultural Aftermath<\/em>. New York: Fordham University Press, 2006.<\/p>\n

Thomson, Richard and Simon Kelly. Monet: A Bridge to Modernity. <\/em>National Gallery of Canada: 2015.<\/p>\n

Thiers, Adolphe. \u201cHabitants de Paris,\u201d March 17, 1871. http:\/\/archives.paris.fr\/a\/850\/adresse-d-adolphe-thiers-aux-habitant-e-s-de-paris-au-sujet-de-la-reprise-des-canons-de-la-garde-nationale\/<\/a>.\u201d<\/p>\n

Tucker, Paul. \u201cThe First Impressionist Exhibition in Context.\u201d In The New Painting: Impressionism 1874-1886, <\/em>93-142. San Francisco: The Fine Arts Museums of San Francisco, 1986.<\/p>\n

Varnedoe, Kirk. Gustave Caillebotte. <\/em>New Haven: Yale University Press, 1987.<\/p>\n

Venturi, Lionello. Les Archives de l\u2019impressionisme<\/em>, II.<\/p>\n

V\u00e9ron, P. \u201cCourrier de Paris\u201d in Le Monde illustr\u00e9 <\/em>29, July 15, 1871.<\/p>\n

Vizetelly, Ernest Alfred. My Days of Adventure: The Fall of France 1870-71. <\/em>English edition, New York: Duffield & Company, 1914.<\/p>\n

Wawro, Geoffrey. The Franco-Prussian War: The German Conquest of France in 1870-1871.<\/em> New York: Cambridge University Press, 2003.<\/p>\n

Weerdt, Denise De and Catherine Outkow, La Commune de Paris 1871 dans le livre et l’image<\/em>. exh. cat., Bibliothbque Albert Ier Brussels, 1971.<\/p>\n

Wildenstein, Daniel. Claude Monet, biographie et catalogue raisonn\u00e9,<\/em> Vol. I: 1840-1881, to Pissarro 27 May 1871.<\/p>\n

Wilson-Bareau, Juliet. Manet, Monet, and the Gare Saint-Lazare. <\/em>New Haven: Yale University Press, 1998.<\/p>\n

Wolfe, Michael. “Henry IV (France) (1553\u20131610; Ruled 1589\u20131610).” In Europe, 1450 to 1789<\/em>:\u00a0Encyclopedia of the Early Modern World<\/em>, ed. Jonathan Dewald. New York: Charles Scribner’s Sons, 2004.<\/p>\n

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[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”3.26.3″ top_divider_color=”#b5493a” top_divider_height=”17px” bottom_divider_style=”arrow3″ bottom_divider_color=”#752124″ bottom_divider_height=”15px” saved_tabs=”all”][et_pb_fullwidth_menu fullwidth_menu=”off” active_link_color=”#b5493a” dropdown_menu_line_color=”#E02B20″ _builder_version=”3.26.3″ menu_font=”Georgia|||||on|||” menu_font_size=”17px” menu_letter_spacing=”1px” text_orientation=”center” active_link_color__hover_enabled=”on” active_link_color__hover=”#b5493a” dropdown_menu_text_color__hover_enabled=”on” dropdown_menu_text_color__hover=”#b5493a” menu_text_color__hover_enabled=”on” menu_text_color__hover=”#b5493a”][\/et_pb_fullwidth_menu][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.26.3″ custom_padding=”||17px|||”][et_pb_row _builder_version=”3.26.3″][et_pb_column type=”4_4″ _builder_version=”3.26.3″][et_pb_text _builder_version=”3.26.3″ header_font=”Cormorant SC||||||||” 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[…]<\/p>\n","protected":false},"author":3843,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-template-blank.php","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","footnotes":""},"class_list":["post-516","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/pages\/516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/users\/3843"}],"replies":[{"embeddable":true,"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/comments?post=516"}],"version-history":[{"count":0,"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/pages\/516\/revisions"}],"wp:attachment":[{"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/media?parent=516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":515,"date":"2023-03-28T18:10:49","date_gmt":"2023-03-28T18:10:49","guid":{"rendered":"https:\/\/edspace.american.edu\/impressionism\/?page_id=515"},"modified":"2023-04-08T04:06:19","modified_gmt":"2023-04-08T04:06:19","slug":"resources","status":"publish","type":"page","link":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/resources\/","title":{"rendered":"Resources"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":3843,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-template-blank.php","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","footnotes":""},"class_list":["post-515","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/pages\/515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/users\/3843"}],"replies":[{"embeddable":true,"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/comments?post=515"}],"version-history":[{"count":0,"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/pages\/515\/revisions"}],"wp:attachment":[{"href":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/wp-json\/wp\/v2\/media?parent=515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":492,"date":"2023-03-24T18:22:01","date_gmt":"2023-03-24T18:22:01","guid":{"rendered":"https:\/\/edspace.american.edu\/impressionism\/?page_id=492"},"modified":"2023-05-08T19:18:21","modified_gmt":"2023-05-08T19:18:21","slug":"map-1","status":"publish","type":"page","link":"https:\/\/edspace.american.edu\/mapping-the-impressionist-imprint\/visualizing-destruction\/map-1\/","title":{"rendered":"The Comprehensive Overview (Map 1)"},"content":{"rendered":"

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Mapping the Imprint:<\/h1>\n

The Franco-Prussian War and Paris Commune <\/h1>\n

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T<\/span>his first map presents the comprehensive overview of all 45 paintings and 18 locations (plus the six locations of the eight Impressionist Exhibitions) that will be further examined in the two maps that follow. Moreover, this map only introduces viewers to the factual information of the paintings without further explanation. The longer in-depth analyses of both the sites and paintings are provided in the next two maps. The main objective of this map is to convey the scale of the Impressionist imprint.<\/span><\/p>\n

<\/p>\n\n