Juan Downey, The White Box: 68, 1969. Acrylic paint, metallic paint, pencil and wax crayons, with cut and glued, printed and typed paper on cream paper. American University Museum at the Katzen Arts Center, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Mr. and Mrs. Barrett M. Linde).
Welcome
This exhibition explores the relationship between movement and stasis in works of art made from the 1950s to the 1980s. It invites viewers to consider the dependent relation between these terms: how movement is necessary to see and understand stasis, and vice versa. The triad of Past, Present, and Potential structures the exhibition, asking visitors to consider how time further informs this relation. How is this relation registered in the making of a work of art, in the development of an exhibition, and in the assembling of a permanent collection?
The exhibition was collaboratively organized by students in the spring 2023 graduate-level Curatorial Practices seminar. The exhibition brings together works from the Corcoran Legacy Collection and those separately acquired by the museum. The curators invite you to reflect on your own engagement with the relation between movement and stasis as you get close to, step back from, and consider the works in this gallery.
How are you still, moving?
Curated by Virginia Apperson, Juhianna Boeye, Gary Caudill, Kayla Conklin, Grace Edson, Kaelee Hess, Tyler Hirshon, Elizabeth Ho-Sing-Loy, Isabel Iem, Marie-Claire Kent, Amy Kruse, Karly Lainhart, Milo Mayfield, Grace McCormick, Annabelle Renshaw, Alexis Shulman, Hannah Spears, and Lacey Wilson.
Organized as part of Dr. Andrew Wasserman’s spring 2023 Curatorial Practices course.