Heléne Aylon’s series Paintings that Change in Time challenges the perceived permanence of painting. During the 1970s, the artist experimented with painting emulsions of linseed oil, the mineral substrate used to suspend pigments in oil painting, onto Masonite board and watching as her works developed cracks and stains.
Although we cannot see these paintings significantly change before our eyes in the gallery, her paintings are always evolving. They are a record of past movement while persistently holding the potential to continue to evolve. Rather than attempting to fix her work in time or state, Aylon asks us to see the persistent presence of change.
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“When I started looking into Aylon I saw how daring she was. Her work often questions taken for granted understandings of the world and I thought that was really exciting.”
– Grace McCormick, co-curator, American University