Through the presentation of enclosed tactile threaded textures, String Composition #144 illustrates an intricate network of strings that suspend above an orange background. Similar to this exhibition’s underlying themes between motion and stillness, this work demonstrates how opposition evokes harmony. Indeed, despite being a fixed object, Fuller uses color to conjure a sense of dynamism and fluidity. Where multiple strings converge vibrant hues of color emanate. This is especially exemplified by the straight stiffened strings that radiate and cojoin to create an arching circular shape that frames the work.
Beginning in the 1940s, experimentations in collaging textile materials directly on top of printing plates at the Atelier 17 printmaking studio led to Fullers’ intricate string compositions, thus evoking a sense of true artistic discovery and creativity. Grounded in the principles of both sculpture and two-dimensional media, this work demonstrates how contrasting elements can complement each other.
“I chose Sue Fuller’s string construction because I was fascinated by the complexity of the image. In so many ways, this work is directly at odds with itself… it is a flat image and a constructed three-dimensional work. It utilizes straightened strings, yet creates a curved arching shape. It’s stationary, yet depicts a flowing circular motion. I found Fuller’s ability to depict these contradictions quite engaging, and I was inspired by the evocation of harmony through opposition.”
– Virginia Apperson, co-curator, American University