This picture illustrates a very real problem in Shaw. On one hand, Shaw seems to be improving. It seems to be developing, and along with the new developments, Shaw seems to be a place where there is newfound opportunity. That’s at least what most developers and newer residents would like us to think. But, like the caption and its picture, what use is this if developers and urban planning institutions no longer care about the previous residents? As the description suggests, Washington doesn’t see the wellbeing of these residents as a priority. I think that should be criminal.
I don’t know what else to say about this photograph other than the fact that it’s intense. The photo puts an actual person behind what seems like abstract ideas I can only talk about by reading about them. This photograph begins to connect everything I want to eventually bring to light. Although I haven’t taken this photograph (I’ve obtained it from here), I believe it’s important to include in my culminating project the human aspect to this, a.k.a. the aspect that matters most. We can talk about the socioeconomic trends about Shaw in the broadest to narrowest of terms, but it loses an important part if we don’t ask people like the woman pictured above questions like, “What happens?” “Will you be alright?” “Do you have a place to go?” The photograph really exemplifies the power that seemingly arbitrary political institutions have to transform an individual’s life for the worse.
According to this website, this mural not only has general American history embedded into it, but family history as well. The mural is painted in front of a store called “Good Ole Reliable Liquors,” and it’s owner, Mike Toor, supports troops because he has family in service. To him, this piece means so much more than the display of patriotism just for the sake of it. To him, this means honoring his family. Like many murals in Shaw, this one features a black figure. Honoring black culture is quite common in Shaw.
This mural is located near Shaw’s Howard Theatre, and the image above was obtained from this website. Of course, with most street art, it’s difficult to understand what context it holds. But here’s my interpretation:
The imagery is intense. A pig in a suit being stomped out by a disembodied foot in front of a sea of reds, oranges, and yellows. The pig is holding money, and if you look closely, you might be able to make out some faces in the “fire.” This clearly shows anti-capitalist sentiment in DC and the need for what I assume to be greedy capitalist pigs to quite literally stomped out from Shaw.
I find this especially thought-provoking because it’s an entirely different narrative than one I have seen in other platforms. On the websites of developers, for example, the way they view their actions in Shaw is largely optimistic. This, however, tells a different story.
“Education is a Powerful Weapon” – 312 Florida Avenue NW. This mural is quite iconic in Shaw. The vibrant colors and confident stance of the figure depicted certainly extends a strong message; “Education is a Powerful Weapon.” What I especially admired about this mural was the nature of the figure depicted. She’s standing strong, proud, and tall. And like many residents of Shaw, she is black.
Shaw has quite a rich and vibrant history, but it has repeatedly been marked by crime and unrest, especially after the assassination of Dr. Martin Luther King Jr. I believe this mural wishes to transform this notion of a violence-ridden city. I believe it speaks volumes about DC’s black community fighting the generalizations forced upon them due to crime with something much more empowering and benign– education.
This is one of three buildings directly to the left of the Howard Theatre. The buildings on the left of the theatre all look run-down and something directly out of a post-apocalyptic novel. I may be exaggerating this slightly, but I think it’s important to understand why these buildings may look out of place.
The area surrounding the Howard Theatre looks relatively new. The houses are beautiful and painted. The cars surrounding them are glimmering. Even the Theatre has been reconstructed. It appears as if Shaw has been undergoing rapid transformation and has become “the next big thing.”
These buildings, however, have been lost in time. The last time I was here, I didn’t see the long fence around them. I didn’t see the windows removed on the upper stories. Because everything inside had been stripped away, I’m not sure what the buildings have been used for. I’m unsure if this particular building was where someone lived or if it was a hair salon persay. It just seems so out of place.
So here’s a window of the restaurant many people in Shaw were waiting to get into today. My initial thoughts were, “Wow, the design is nice. It looks so inviting.” The logo of the restaurant clearly alludes to an older style and revokes nostalgia of a previous time period. I especially liked the cherry blossoms in the background of the window.
Although the window is gorgeous, I wanted to know more about the restaurant. I was not going to wait for several hours in a line to find out, so I decided I’d go to the restaurant’s website. Interestingly, I looked at the menu and did not find anything unique. I didn’t even find prices so the assumptions I’ve made in my previous post were probably
The question then becomes, “Why?” Why was this place so famous? What was going on? Why were so many people willing to sacrifice the time I wasn’t? It was clearly an important social scene. Unfortunately, I didn’t ask the people what they were waiting in line for. I should have, though. It would have provided me with valuable insight.
As soon as I exited the Shaw-Howard U Metro Station, I was immediately greeted with a line that spanned almost the entire block. I was really confused at first because I didn’t understand what the line led to. However, since it was my second time visiting the area for field work, I took note of the type of people waiting. They were young, they were primarily white, and it was clearly a type of social setting. Turns out, they were all waiting to go into an eatery called Southern Efficiency. Although I was extremely confused at first, I soon concluded that the new residents of Shaw are indeed looking to fully integrate themselves into their community. By going to local restaurants, this is just one way they are doing so. Still, if the line is composed of people primarily of one ethnicity and of a similar socioeconomic background, there must a reason why. Perhaps the eatery is a little too expensive for everyone to enjoy.
This quote is painted in a corner of a cafe called Uprising Muffin in Shaw. The quote reads:
“I’ll walk through fire if this is what it takes to take me even higher then I’ll come through like I do when the world keeps testing me.”
This is the same cafe that I’ve written about in an earlier post. I think that, although the cafe seems like it may appeal to the typical hipster millennial gentrifying Shaw, the quote may speak to the residents.
Think about it. Long-time residents in Shaw, who have largely been categorized under low- or fixed-income, have consistently been overpowered by developers in the area as well as newer residents. To walk into the cafe and glance up at such an inspiring phrase may mean that life is characterized by struggle and that’s okay. However, the nature of the quote also suggests that they should not be passive about their status in society. Rather, they should actively shape the course of their life.
The lobby of the Howard Theatre. Only one of the booths were open and I waited for the gentleman in front of me to finish talking to the woman working there, but she was very kind and helpful when I told her what I was here for. I think it’s interesting that the inside of the theatre looked much more grand than the outside. It was renovated somewhat recently I believe.